Sunday 19 July 2015

Bharatanatyam (Bharatha Natyam)



Bharathanatyam (Tamil: பரதநாட்டியம்) is a form of Indian classical dance that originated in the temples of Tamil Nadu. It was described in the treatise Natya Shastra by Bharata around the beginning of the common era. Bharata Natyam is known for its grace, purity, tenderness, expression and sculpturesque poses. Lord Shiva is considered the God of this dance form. Today, it is one of the most popular and widely performed dance styles and is practiced by male and female dancers all over the world, although it is more commonly danced by women.

Bharathanatyam is one of the oldest form of dance. This form of dance is based on the ancient text on dance. Bharatha stands for Bhava(mood), Raga(music), and Tala(rhythm), while Natyam stands for Nritta. Movement, mime and music are given equal importance in Bharatha Natyam. A Bharatha Natyam performance is rendered by a solo artist, or a duo, or as a group.
 Bharathanatyam is poetry in motion.   A Bharathanatyam performance involves Alarippu-the invocation of God, Jathi Swaram-a note combination, Shabdam-a combination of notes and lyrics, Varnam-a combination of pure dance and abhinaya, and Thillana-the finale. The costumes used in a performance are elaborate. The dancers dress in specially designed colorful silk costumes and wear head ornaments, necklaces and bangles. Flowers are wound around their long plait.   According to the Natya Shastra by Sage Bharatha, Nritta, Nrithya and Natya are the three aspects of dance. Nritta means pure and simple dance.

This involves movements of the body and limbs, for a decorative effect, without conveying any meaning. Nrithya lays emphasis of expressions, to convey the meaning of the rendering. Nrithya involves facial expressions, gestures and symbolic poses. Natya includes drama through the use of spoken word, apart from Nritta and Nrithya. 

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